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Book Review: The City of Brass

The City of Brass by S. A. Chakraborty. A fantasy story about a young woman? Please. And she gets swept into the magical world, having to survive by her wits? Yes. Not the typical European-style magical world. Even better. 

I wanted to love this book. The premise was great, the plot is actually pretty intriguing, the characters well developed (especially the morally conflicted Ali). Even the secondary characters shine – from the servant who tries to help the main character, to the prince and even the princess gets a moment near the end of the book in which we understand her more fully. There were a lot of reasons why I wanted this book to be exceptional.

Unfortunately, despite the good points, it did not live up to my hopes. Despite an overall writing style that is concise and functional, the descriptions were too much. The same buildings and places were described multiple times from different characters perspectives – but with the exact same voice, the exact same flowery language, and the exact same result: skipped.

The plot was fairly unpredictable – until secrets started being revealed. Then I could see exactly where the story was going, and it lost some of it’s allure. Now this is a point that isn’t necessarily bad – sometimes it is fun to be proven right. However compared with the other points, it was a bit of a disappointment. And I will add, some of the “historical” plot points were a little confusing when it came to a certain group of people. Maybe I missed something, but it seems like if everyone hates one group, there isn’t a real reason for conflict over their treatment.

I really enjoyed getting a bit of non-European fantasy. I think if this book were marketed as a YA novel my expectations would have been different, and they would have been met. So if you are looking for a book for the fantasy-loving teen in your life, this is definitely one to consider. And I recommend reading it even if you aren’t a teen, just adjust your expectations.

Book Review: The Queen of the Tearling

Okay, so I just got my new library card about four weeks ago. Shameful, I know. To counteract the shame, I decided to grab a book, any book, and write a review when I was finished with it. I grabbed The Queen of the Tearling by Erika Johansen. When I picked it up, I didn’t know there was any hype about it. I’d like to begin by saying: I have tremendous respect for anyone who writes a book. I don’t intend any criticisms about any book to be taken as criticisms of the author, or dislike for them.

Beware, spoilers ahead.

The book is about a young woman who has been hidden from her country for her entire life. At the beginning of the book, she is retrieved and taken to the capital to be installed as queen in place of her uncle, who has been serving as regent.

My first impressions of this book were that it was poorly written and the storytelling was sloppy. I was intrigued by the plot, though. I was interested in the “epic battle between light and darkness” that is supposed to take place between young Kelsea Raleigh, the new queen, and a “malevolent sorceress” you turns out to be the queen of a neighboring country. I’ll admit, I was only interested because I wanted to see how another author balances a heroine and villainess, as that is a key pairing in my own book. So I was willing to overlook my unfavorable first impressions to get to the meat of the story.

The first half of the book moved exceedingly slowly. Countless characters were introduced, described in annoying detail, given excruciatingly boring backstory, and barely touched on again. The main character herself was not a likable heroine. She wasn’t a Mary-Sue, because other characters didn’t like her either, but that made it almost worse. Them not liking her made Kelsea seem even more poorly written than in the first few pages. I will admit, by the end of the book I grew interested in her character, but not invested. The interest comes from an apparent descent towards villainy herself – a descent that I doubt Ms. Johansen intended.

It is clear, from Kelsea’s ending of the slave shipments to Mortmesne, her unwavering commitment to what is, supposedly, good, that she is meant to be a true hero. However, she is cold and cruel to the people around her, unwilling to give an inch of understanding (at least until the end of the book, when faced with traitor Mhurn – but I’ll get to that). She treats her subjects like silly children. In fairness, some of them act like children, but they’ve been under the regent Thomas’ guidance for nearly twenty years, and he allowed hedonistic indulgence in every way. When Kelsea refuses to try to guide these people into different ways, it comes across as the will of an intolerant ruler.

Kelsea thinks of anyone who doesn’t agree with her as below her, and unintelligent. This is especially pronounced when, obsessed with obtaining books, she degrades the captain of her guard constantly. He is trying to keep her safe in a city of people that want her dead, and she chooses to not only disrespect that task, but berate him for not agreeing with her that books are the utmost priority. The tendency continues to the end of the book, when she threatens to kill the captain if ever he disobeys her (which he has only done in order to save her life). She likewise threatens her bodyguard, who has done everything in her power to keep her safe. The only time she shows understanding is to Mhurn, a member of her guard who betrayed her more than once due to a drug addiction. With him she seeks understanding for why he did what he did, gives him morphine, and then kills him herself. In any other situation, a heroine killing a traitor herself might be honorable, but combined with her other unpleasant traits, this act only served to show that she has a thirst for blood.

Early in the book, I thought perhaps another character would have been a more interesting focus, and if Ms. Johansen continues to paint Kelsea as heroine, that is still true. However, seeing a character slip into villainy is an exceptionally engaging read, and I would be delighted if this is how the books continue.

As for the book itself, in part two I found myself skipping pages of unnecessary descriptions and conversations that added nothing to the story (but served to showcase Kelsea’s cruelty). There were many info-dumps throughout the book that could have been woven into the narrative, and many times we were outright told things that were better left to the reader to surmise. These points broke my engagement with the story. Jumps in perspective outlined what the antagonists were doing, and cut the tension of the story so much so that it was at these points that I set the book down entirely.

There was gratitude, yet poorly executed, violence throughout the book. I imagine that these acts were meant to inspire fear and worry, but they only made me disinterested. Mention such things a few times, and we understand the threat. Mention them on every page, and we become desensitized to it.

The only time I felt anything was at the very end of the book. Kelsea’s captain told her the story of how he’d delivered her to her now-dead foster parents, and that her foster-mother had sacrificed showing her love in order to help her be strong. This realization, coupled with the impossibility of resolution, brought tears to my eyes. But I’m also a sucker for such moments.

My final impressions of the book are much the same as first impressions. The storytelling was sloppy, the writing was at times painful. I am disappointed that the Crossing, a much alluded to historical event, seems to be the crossing of an actual ocean, and not space-travel. The story, for all of its shortcomings, was good and I am interested in reading the next one.

“The Tropic of Serpents”

Oh my oh my. I will preface by saying that I have had this book almost since I finished the first, “A Natural History of Dragons.” I’ve been trying with all my might to pace myself on this one, but I had a shift of work this week that encouraged reading, and this morning I could not resist finishing the tale.

I, of course, do not own this image. And I would like to tip my hat to the wonderful artist, Todd Lockwood.

The second book of Isabella Camherst’s forays into the world of dragons was as captivating as the first. Leaving her homeland for a second time, Isabella believes her trip to Eriga will be easier than her last adventure. Marie Brennan has written her heroine with finesse – I am inclined to believe her a real person. Even more amazing is the world in which the books are set.

I noticed in reading book 1 that Brennan has overlaid a fantasy world on the cultures and countries of our own world in historic times. And yet she does this with such precision that there is no doubt as to her creative powers. I found myself on the edge of my seat (again) and begging for those books which she mentions to be real. Brennan writes:

The history of how this process developed has been discussed at greater length by the Yembe historian … I advise those interested in such matters to read her work…

p.300, “The Tropic of Serpents” by Marie Brennan

If only I could read it! There are omissions in the story that, in large part, are due to one of two reasons. 1)That the narrator (Isabella) is keeping a secret for the people she met whose rules prevent her from discussing certain things and 2) that she refers us to other works which, unfortunately, do not exist. I would love to read those other books. Let me be clear: I by no means think that the omissions are a failure of the book. Rather, they add to it’s authenticity and keep me engaged after I am finished reading.

I recommend with all of my heart that you pick up this book (after, of course, reading A Natural History of Dragons). You will not regret it if you do!


“A Natural History of Dragons”

I picked up this book because of the cover. Intriguing, is it not? I’m so glad I bought it – on whim that was encouraged by my dear boyfriend. If I hadn’t, I would not have found my favorite book so far this year, or my new favorite author.

A Natural History of Dragons is the story of Isabella, a young woman with a desire to study dragons. The world in which her tale is set is reminiscent of the Victorian England, both in cultural style and writing style. Isabella recounts how society around her was not set up for her to be a learner, and how she dealt with this in order to achieve her dreams (because some sort of dream-achieving must take place if there is to be an interesting story, right?).

This fantasy “memoir” is in fact fantastic – I could barely put it down and read the entire thing in 3 days. I will admit, I am a sucker for memoirs (at least the ones where interesting things actually happen) and fantasy novels (obviously), so this seemed to be written just for me. From the beginning it gripped me as if it were a dragon an I it’s prey (forgive the pun) and did not let me go. A thoroughly enjoyable read, A Natural History of Dragons kept me on the edge of my seat.

Some people might find the fact that it is a fantasy memoir to take away the suspense (after all, we know Isabella has survived to write it), but as I firmly believe: it’s about the journey and not the destination. Knowing that she survives incites my curiosity as to how – and just because we know she survives doesn’t mean there aren’t plenty of plot twists in this amazing tale.

Hats off to Marie Brennan, author of this fantastic work. If I can write something half so true as what she has written, I will be happy. Truly, if you are a writer and need a reminder of why you write, pick up this book. It will whisk you into an alternate history in which our world is not even our world, but the ring of familiarity is there.

I give this book five stars (out of five, of course) and recommend that you all pick up a copy and get lost in Anthiope for a little while.

For more on the book:


And of course, I do not own the image.

And, if you happen to see this review posted on Amazon – I put it there. Will be posting it elsewhere as I can.

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